EDITORIAL FRAMING THE MESOREGION: SOUTHEAST EUROPEAN CULTURAL SPACE Tatjana Markovic WIEN UND DIE KUNSTHISTORISCHE ERSCHLIESSUNG SÜDOSTEUROPAS, 1850–2000 Maximilian Hartmuth THE VISUAL CULTURES OF SOUTHEASTERN EUROPE: ELEMENTS OF DECENTRED THEORY CONSTRUCTION Karl Kaser THE MUSIC REPERTOIRE OF THE FRANCISCAN PROVINCIA BOSNAE ARGENTINAE AND THE PROVINCIA SANCTI JOANNIS A CAPISTRANO, IN SLAVONIA IN THE EIGHTEENTH AND NINETEENTH CENTURIES Zdravko Blažekovic THE PAST REVISITED: THE BAROQUE ALLEGORICAL THEATRE OF THE SERBIAN ORTHODOX ARCHBISHOPS OF SREMSKI KARLOVCI IN THE EIGHTEENTHTH CENTURY Jelena Todorovic THE HIGH PROVINCE ON THE WESTERN BORDER OF HUNGARY: IDEOLOGICAL ASPECTS OF THE OPERATIIONS OF THE MUNICIPAL THEATRE IN PRESSBURG IN THE LATE NINETEENTH CENTURY Jana Laslavíková WORLD WAR I’S BOARDS THAT MEANT LIFE: THE THEATRE OF SERBIAN SOLDIERS AND PRISONERS OF WAR Gordana Ilic Markovic FROM MIORITA TO OEDIPUS: ROMANIAN NATIONAL OPERA IN THE NINETEENTH AND EARLY TWENTIETH CENTURIES Beat Föllmi EMILIOS RIADIS’ GALATEIA: AN UNFINISHED WORK Alexandros Charkiolakis THE DYNAMICS OF GERMAN TRANSLATIONS OF TEXTS BY CONTEMPORARY AUTHORS FROM TITO’S YUGOSLAVIA Gertraud Marinelli König RIGHTS, RESOURCES, AFFECT, AND MUSIC: COMPARING THE PROGRAMMES OF INTANGIBLE CULTURAL HERITAGE IN CROATIA, SOUTHEAST EUROPE, CHINA, AND ELSEWHERE Naila Ceribašic

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