«While Benabu could at times be accused of offering no more than close textual analysis rather than a radical new methodology, he does offer convincing readings of the plays that are sensitive to nuances associated with performance, and draws attention to often overlooked aspects, such as how deciphering or deciding where characters should be on stage (especially when the playwright has not mentioned it) can both affect and aid interpretation.» (Katie McErlain, , 20.1)