Richard Serra began making prints as early as 1972. For the past five decades he has consistently pursued the myriad possibilities of printmaking and created a graphic uvre as concentrated as it is rich and diverse. Even if the relationship between Serras prints and his sculptural works cannot be deniedthe exploration of form, establishing and testing the tension between positive and negative space, the dialogue between two- and three-dimensionalitythe prints are an autonomous form of expression with their own themes and creative approaches, such as his innovative use of oil-stick ink to create a surface that both absorbs and reflects light. This catalogue raisonné offers a complete survey of 50 years of Serras graphic workincluding lithographs, screen-prints and etchingsand situates it in the broader context of his artistic practice.

Richard Serra was born in San Francisco in 1938. Since the 1960s he has exhibited extensively throughout the world. In addition, Serra has created a number of site-specific sculptures in public and private venues in both North America and Europe. Serra's books at Steidl include Sculpture 1985-1998 (1999), The Matter of Time (2005), Te Tuhirangi Contour (2005), Notebooks (2011), Early Work (2014) and Vertical and Horizontal Reversals (2015). He lives in New York and Nova Scotia.